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Experiences of acquired brain injury survivors participating in online and hybrid performance arts programmes: an ethnographic study.

Taylor, ER; Estevao, C; Jarrett, L; Woods, A; Crane, N; Fancourt, D; Pariante, C; Jones, F (2023) Experiences of acquired brain injury survivors participating in online and hybrid performance arts programmes: an ethnographic study. Arts Health. pp. 1-17. ISSN 1753-3023 https://doi.org/10.1080/17533015.2023.2226697
SGUL Authors: Taylor, Elizabeth Rose

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Abstract

BACKGROUND: Performance arts can benefit people with acquired brain injury (ABI). This study explored the online delivery during COVID-19 restrictions, of a performance art intervention through the experiences of participants, artists and facilitators. METHODS: Two community-based programmes were delivered. Online ethnographic observations and semi-structured interviews with participants, artists and facilitators were completed. RESULTS: The programmes benefited participants by addressing loneliness and isolation; building confidence through peer support; improving physical limitations through movement; improving communication through music and vocal work; and using poetry, visual arts, metaphor and performance to make sense of participants' experiences. Participants had mixed experiences of participation, but it was an acceptable alternative to in-person arts interventions for those who overcame digital challenges. CONCLUSIONS: ABI survivors can engage in online performance art programmes and find participation valuable for their health, well-being, and recovery. More work is needed to explore the generalisability of these findings, especially given digital poverty.

Item Type: Article
Additional Information: © 2023 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. The terms on which this article has been published allow the posting of the Accepted Manuscript in a repository by the author(s) or with their consent.
Keywords: Stroke, brain injury, online, participation, performance, 1117 Public Health and Health Services, 1904 Performing Arts and Creative Writing
SGUL Research Institute / Research Centre: Academic Structure > Institute of Medical & Biomedical Education (IMBE)
Journal or Publication Title: Arts Health
ISSN: 1753-3023
Language: eng
Dates:
DateEvent
26 June 2023Published Online
9 June 2023Accepted
Publisher License: Creative Commons: Attribution-Noncommercial-No Derivative Works 4.0
Projects:
Project IDFunderFunder ID
MR/L014815/1Medical Research Councilhttp://dx.doi.org/10.13039/501100000265
MR/J002739/1Medical Research Councilhttp://dx.doi.org/10.13039/501100000265
MR/N029488/1Medical Research Councilhttp://dx.doi.org/10.13039/501100000265
SC1-BHC-01-2019European Commissionhttp://dx.doi.org/10.13039/501100000780
853966Innovative Medicine Initiative 2 Joint UndertakingUNSPECIFIED
219425/Z/19/ZWellcome Trusthttp://dx.doi.org/10.13039/100004440
104025Wellcome Trusthttp://dx.doi.org/10.13039/100004440
PubMed ID: 37395661
Go to PubMed abstract
URI: https://openaccess.sgul.ac.uk/id/eprint/115532
Publisher's version: https://doi.org/10.1080/17533015.2023.2226697

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